So a great original source trumps tons of processing every time.Ĭlick repair WILL grab bass drum/tom transients and acoustic guitar transients, more often than you think, even at the lowest setting of 1. I threw 12 hours of work away, and kept the new version, which took me all of 5 minutes to do. and it was pretty much a "9," with no processing at all. He ran home, got the LP, we gave it a quick clean, transferred it straight across. I thought the final results were acceptable, a marked improvement over the original, though not great.Ī few days later, I played it for a friend of mine, and proudly showed the before and after comparison - which basically took it from a "2" in terms of sound quality to maybe a "5." He wasn't impressed, and idly commented, "I think I have this on a pretty clean LP" (which stunned me, because it was a fairly rare song). I also did a second transfer wet, just to see if that helped (it didn't). I spent hours comparing NoNoise, Sonox Restoration, Waves, and other tools, and wound up using light passes of different software at different stages. I meticulously cleaned it, transferred to digital on my Nakamichi Dragon turntable, then spent about 11 or 12 hours painstakingly de-clicking and de-popping it and using thousands and thousands of dollars of software to remove the surface noise, crackles, and other residual problems. Just a cautionary note: I can recall a time in the early 2000s where I needed a particular song, and all I had was a somewhat beat-up 45RPM single copy. This must be the secret weapon the major needledroppers have had all along. If you haven't already done so, try it, and buy it. I can't imagine there being anything better. It also works well with all different bit depths and sampling rates, which is a major plus. There was a learning curve, but it sure does work. And needledropping is much less of a chore now, so I now have the patience to get a handful done each month if I really set myself to it. I could get perfect results on beat up discs that have frustrated me in the past, that I gave up on. I could still get perfect results on NM discs that weren't completely perfect when listening through headphones. And when I got perfect results, I was pretty damn proud, but my needledrop rate was slooooWhen I tried clickrepair, it was like the skies opened up and the angels sang. If anything, I would manually declick a stray pop, or lightly use the built in crackle remover in cool edit over small quiet passages. I tended not to use any NR of any kind (besides summing for mono records), so finding flawless copies was a must. Unmix can also be used on stems, separating these into tone, noise and transient component layers.Before I got clickrepair, getting truly flawless needledrops was TOUGH. The AI-assisted unmixing capability in SpectraLayers Pro scans a mixed song and extracts the different instruments within the song to separate layers, adding default settings for vocals, piano, bass, drums and more, while SpectraLayers Elements extracts vocals only. The new Artificial Intelligence in SpectraLayers Pro recognizes distinct events and isolates them by moving them to independent layers that are highlighted for further processing. These features are rounded out by an array of useful enhancements, such as the improved ARA 2 integration with Cubase and Nuendo, VST 3 plug-in support and much more. Other new automated processes include click repair, hum removal and precision spectral de-essing. New in Version 7 is the implementation of Artificial Intelligence that allows for the introduction of automatic pattern detection, clip repair, unmixing tracks to stems, as well as unmixing stems to component parts. SpectraLayers offers a novel approach to precise audio editing by visualizing audio in the spectral domain (in 2D and 3D) and providing an array of powerful tools to manipulate its spectral data in many different ways.
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